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Watercolour Sharing

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Washington's Crossing Bridge over the Delaware River

My sister snapped the photo I used  for this painting last summer. he view is from the New Jersey side, looking north. The wooded banks of the river provide relief from hot, humid afternoons. The bridge is a steel truss structure, first built in 1904 . It has had some renovations since then and is still in use. The bridge deck is only 15 feet wide: one 7.5 foot lane in each direction, making it a challenge to cross. The deck is chain link, so the river can be seen when driving over it, which is quite disconcerting to the uninitiated. No-one likes to meet a big car or truck in the middle. It is a registered historic place and much beloved (or hated) by local people. This is where Washington crossed the Delaware at Christmas time to successfully raid a camp of Hessian and English soldiers (sorry, Brits), that became a turning point of the Revolutionary War. I used mostly granulating pigments on Daler-Rowney paper to get a feeling of hazy distance. I also would like to give a shout out to Australia's Joe Cartwright for his method of painting rocks under water, which was something I've struggled with. He has a great video on the subject.
My sister snapped the photo I used for this painting last summer. he view is from the New Jersey side, looking north. The wooded banks of the river provide relief from hot, humid afternoons. The bridge is a steel truss structure, first built in 1904 . It has had some renovations since then and is still in use. The bridge deck is only 15 feet wide: one 7.5 foot lane in each direction, making it a challenge to cross. The deck is chain link, so the river can be seen when driving over it, which is quite disconcerting to the uninitiated. No-one likes to meet a big car or truck in the middle. It is a registered historic place and much beloved (or hated) by local people. This is where Washington crossed the Delaware at Christmas time to successfully raid a camp of Hessian and English soldiers (sorry, Brits), that became a turning point of the Revolutionary War. I used mostly granulating pigments on Daler-Rowney paper to get a feeling of hazy distance. I also would like to give a shout out to Australia's Joe Cartwright for his method of painting rocks under water, which was something I've struggled with. He has a great video on the subject.

153 Views

I like the crisp precision of the bridge against the otherwise loose landscape. And Cartwright is a brilliant artist! Long educational videos. -Generous.

Cafe in Ramsgate


146 Views

This Cafe is soon to be sold, hopefully the new owners will provide the same great service that has been provided over the years. The buildings behind are the home of the great architect Pugin, and the church where his shrine is situated.

Sketching outdoors

I created this small β€žpen & washβ€œ sketch this morning. It shows the ruins of a Gothic chapel (14th century) with a view of the Protestant church in my hometown. I used graphite watercolours for it; I’m really starting to like this medium for sketching.


130 Views

Nicely done, Heidi! ... and you have some earlier sketches of this view, too, don't you? In different seasons...

Dune landscapes

It’s not exactly one of my usual subjects, but a few weeks ago I painted a smaller version of this watercolor as a thank-you gift for a good friend, since she loves the dune landscapes so much. I enjoyed the process so much that I ended up painting it again for myself.

I’m not very familiar with this kind of landscape; I was there a few times many years ago, but I don’t really remember what it felt like to be there. That’s why I used photos from the internet as a reference.

Now, looking at the painting, I feel the composition turned out a bit too centered. The entry point into the scene is located almost exactly in the middle and the dunes on the right and left look quite similar to one another. Anyway, I like it.



129 Views

Beautiful clean washes, Heidi! Convincing brushstrokes!

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